Last week I was scrolling through my Facebook feed late Friday night. I came across a post from the New Zealand Consulate in Los Angeles promoting a new documentary film. Out of curiosity I clicked on it and saw they were having a special screening that Sunday in LA and that there would be a Q&A with the Directors and Producers of the film afterwards. I recognized 2 of the 4 names mentioned. Producers Clifford Curtis, a talented actor who’s played so many diverse characters in Hollywood, and Taika Watiti an accomplished film Director and voice of Corg from the Marvel movies. For my Mother’s Day gift, I asked if we could go. Of course my sweetie made it happen and got my sister Erana and brother Hagoth to come with us.

With only 24 hours before we would attend the screening I got my social media stalking on and followed the Directors of the film Heperi Mita and Chelsea Winstanley via Instagram. By doing so I found out that this was their big weekend release. They started there premiere journey in Aotearoa (New Zealand) on Mother’s Day and were continuing it here in California also on Mother’s Day. I enjoyed watching their IG stories of attending the different screenings and their adventures getting to and through the airports.

As a Maori woman, I wanted to watch the movie because I have a personal connection and desire to support other Maori. Aotearoa is my mother’s homeland and even though I was born and raised here in America I like to take any chance I can to learn about or be more connected to my Maori culture.

The film is an intimate look at Merata Mita's life as a mother, filmmaker, and activist. "Merata, was the first Māori woman, and first indigenous woman in the world, to write and direct a narrative feature film. She directed movies in Hollywood, interviewed Robert Mugabe in Zimbabwe, and worked for various respected organisations around the world such as the BBC and National Geographic. Her independent political documentaries of the ‘70s and ‘80s highlighted the injustices for Māori people in New Zealand, and often divided the country". (https://streamingmoviesright.com/us/movie/merata-how-mom-decolonized-the-screen/)

The film is directed and narrated by Merata’s youngest son Hepi. I loved how through creating this film he learned through book interviews , film, and his older siblings more about his mother. He stated how it was good to hear her voice again on film. I definitely could relate to his experiences. Being number 9 of 10 kids I definitely saw my mother differently and experienced life differently with her than my older siblings. I find myself looking for pieces of my mom and wondering what she was doing at my age or what would she think of me now. Luckily, I have my older siblings I can ask.

​I think one of the reasons this film hit so close to home was that my eldest niece had just shared a clip of my own mother singing with my Aunty Linda. It had been the first time I had heard her voice in several years. Hearing my mother’s and Merata’s voice encouraged me as a Mother to be mindful of the legacy I leave for my own posterity. I’m grateful for this reminder.

So it’s been a week since I’ve watched this amazing film. I’ve fallen into the rabbit hole of the Indigenous Women Movement, and I love it. I’ve found some wonderful podcasts, Instagram stories, and films to educate myself. I’m definitely fangirling over Director Chelsea Winstanley. She is also a powerful Maori woman who inspires and continues to create space for other indigenous women to rise up and bring about change.  I look forward to watching more of her films and following her future in the film industry.

As I watched the film “Merata Mita: How Mum Decolonised the Screen”, I felt this deep kinship with this woman I’ve never met or heard of before. Even though the things she thought and said were taboo in her time, she was a pioneer in the film industry as the first Maori and indigenous filmmaker. She paved a way and created a place for other Maori, Indigenous, and Women in the film industry. She stood up for her people and not only documented injustices to Maori people but also fought to change them.

​This film stirred a desire to want to learn more about indigenous women around the world and be a part of sharing a continued message of remembering who we are and the power of change we are capable of creating. I’ve always been a supporter of native and indigenous artists but Merata has inspired me to want to connect back to my Maori roots. I’ve been reading up on my interest in taaniko which is Maori weaving. I’m learning the stories about the strong women in my own family. I’m grateful for all who were a part of making this film happen. I felt empowered to focus on what’s really important to me. Best Mother’s Day Ever.

The beautiful art of Michelle Lowden, from Acoma Pueblo, New Mexico.

Available at....

While visiting my cousins in Rotorua, New Zealand, They tool me to Ahu Boutique by Adrienne Whitewood. It was there I discovered this beautiful Hinemoa tank top.  

​"Inspired by Maori art and culture, Adrienne Whitewood takes traditional concepts and with them invents unique silhouettes exploring fabric manipulation and technology, her ethos is all about creating wearable clothing for women who want an emotional connection to clothing."

While at the Hibulb Cultural Center, I came across this beautiful Lisa Telford woven basket necklace. The detail and beauty of this piece really spoke to me. It reminded me of the woven kete we have in New Zealand. I was told that small baskets like this could be used to carry prayers and wishes of the wearer.

"As a Gawa Git’ans Git’anee Haida weaver she comes from a long line of weavers including her grandmother, mother, aunt, cousins and daughter. Lisa harvests and prepares her own material, using red and yellow cedar bark and spruce root. The gathering of materials takes her hundreds of miles from home and hours of preparation that vary depending on the final product. Bark is traditionally stored for one year and then must be processed further. Her baskets may be seen in the collections of The Oregon Historical Society, Hallie Ford Museum of Art, The Smithsonian National Museum of the American Indian, The Heard Museum, The Portland Art Museum, and The Burke Museum."
​-ArtistTrust.org

On our last trip to New Zealand, we went to visit my Mom's cousins, Memory and Ralph Hamon in Rotorua. Uncle Ralph is a talented carver who works with both bone and pounamu (Maori Greenstone or Jade). It was our first time meeting them, but Uncle and Aunty were so gracious to us and gifted us each a beautiful taonga.
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​My piece is a beautiful, pounamu piece with red coloring at the bottom and a fern koru carved into it. The red in the jade gets brighter in the sunlight and is said to be the blood of our Maori people inside the stone. Ronan's piece is a small pounamu pendant with three koru's or fern leaves carved into it to represent me, my husband, and Ronan. It was carved by my nephew Dion, Uncle Ralph's grandson. Last, Greg's piece is the powerful solid Koru (Spiral) carved from whale bone.

​Uncle walked over to his whale bone section, very rare and very special, and grabbed the Koru and placed it on Greg's neck and said, "This one is for you!"

We also purchased a beautiful Whale Tale Pounamu pendant because it reminded us of Paikea, and my Ngati Porou ancestry. 

​His work is amazing and we are so honored to wear his pieces all the time.
We love you Uncle Ralph and Aunty Memory!